PLASMATICS AND WENDY O. BIO (from Coup D'Etat liner notes)
				Go here for Beyond the Valley of 1984 liner notes, and here for New Hope for the Wretched and Metal Priestess liner notes
	Before there was Marilyn Manson, before Slipknot and the rest of the come latelies, there was Wendy O. Williams and the Plasmatics. Before Metallica crashed lighting trusses to the floor, the Plasmatics did it. The Plasmatics introduced the mohawk haircut to rock and roll and American culture, and to this day the full extent of their stage shows which featured the ritualistic chainsawing of guitars, the destruction of mass cultural icons including the blowing up of cars onstage has never been matched. Labeled anarchists and banned in England, arrested in Milwaukee, Cleveland and other cities, the Plasmatics, in critic Steve Blush’s words ‘turned the music biz on its ear.’ With credentials that included an MFA from Yale, and creation of the legendary Captain Kink’s live sex show theatre in Times Square, the Plasmatics was put together in 1978 by radical anti-artist Rod Swenson around lead singer Wendy O. Williams. During her ten-year recording and touring career the no-compromising Williams was arrested numerous times on obscenity charges, performed death-defying videos, and got a Grammy nomination as ‘Best Female Rock Vocalist’. With the intent of challenging the status quo at every turn, the group, which virtually ruled the punk scene in New York during the late 70’s, synthesized punk and metal when it was unheard of to do so and released Coup D’Etat, recorded in Germany in1982 on Capitol Records. With AC/DC the gods of heavy metal at the time, the LA Times branded Coup D’Etat the “best slice of heavy metal since the last AC/DC album,” calling Wendy’s vocals so intense as to make Pat Benatar and Ann Wilson (then the biggest female ‘rock’ performers) “sound like Judy Collins”. Wendy was “doing vocally what no one since Janis Joplin has achieved” wrote a critic from Joplin’s home state of Texas. Typical of the ambitious production involved in Plasmatics covers, the cover photo involved bringing a tank into the South Bronx in NYC. A bonus with this awesome re-release is a rough mix of the chilling never-before-released ‘Uniformed Guards’. The final Plasmatics record was released in 1987, and Wendy’s final solo album in 1988. On April 6, 1998, in a final uncompromising act, Wendy took her own life. The amazing legacy of Wendy and the Plasmatics speaks for itself.